Examines how African American jazz music was received in Germany both as a racial and cultural threat and as a partner in promoting the rise of Nazi totalitarian cultural politics.AntiMusic examines the critical literary and political responses to African American jazz music in interwar Germany. During this time jazz was the subject of overt political debate between leftwing and rightwing interests for the left jazz marked the death knell of authoritarian Prussian society for the right jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory having come to see the music in collusion with the totalitarian culture industry.