Timeless evocative and hauntingly beautiful a retrospective monograph by a truly innovative image maker whose female gaze transformed fashion photography. American photographer Deborah Turbeville defies classification. She belongs to no school or movement. Her unique visual signature has been recognizable since her emergence as a major talent in the 1970s. Her images are evocative difficult to date at first glance and seem dreamlike to our 21stcentury eyes. Turbeville stands apart from her male contemporaries whose hardedged highly sexualized photographs of women now seem to be of their time in comparison with Turbevilles very different representation of beauty. This book focuses on the area of Turbevilles practice where her genius as an artist can be found photocollage. In contrast to her contemporaries in fashion photography she was deliberately playful with her images xeroxing cutting scraping and pinning prints together writing in the margins and creating narrative sequences. Her work is located far from single glossy images. It inhabits a liminal zone between art and commerce. Built upon extensive research in the Deborah Turbeville archive the work shown spans commercial and personal projects with many images published for the first time. With texts by Vince Aletti Anna Tellgren and Felix Hoffmann this book brings into the spotlight the ways in which Turbeville redefined fashion photography moving away from the sexual provocation and stereotypes assigned by male photographers to an idea of femininity on her terms. Deborah Turbeville Photocollage will be an essential publication with modern relevance for all with a passion for fashion photography.