Part warning, part rumination, Natalie Eilbert's Overland uses snapshots of violence to survey loss of family, of habitat, of consent - the discarded tools used to arrest climate change activists, the skin marked with crescent moons and photographed by a forensic nurse.Natalie Eilbert&8217;s anticipated third collection, Overland, invokes elegy and psalm to speak to assault on the bodies of women and our planet. In a collection that is part warning, part rumination, Eilbert snapshots violence - the scorch marks on California lumber, the discarded tools used to arrest climate change activists, the crescent moons on skin photographed by a forensic nurse. A chronicling of the 1969 Santa Barbara oil spill and death cycles of the Great Barrier Reef, Overland maps an industry-scarred landscape that travels from coast to coast only to pause on the Congress floor where we are made to recognize: Disappearance is active loss.