In A Third Look, Joseph Maida Reflects On Lee Friedlander's Nudes From The 1970&8217;s And 80&8217;s, Reinterpreting This Series As A Cutting Edge Homage Both To Friedlander, The Modernist Titan Of Photography, And To Lgbtqia Bodies Across Gender And Identity Spectra.&160;&10;&10;when Curator John Szarkowski First Presented Friedlander&8217;s Nudes In A Solo Exhibition At The Museum Of Modern Art (moma) In 1991, He Wrote That &34;the Qualities Of Generosity And Openness, And The Habit Of Continual Exploration-of Logical Extemporization Enlivened By An Unassuming Audacity&34; Make Friedlander&8217;s Nudes So &34;richly And Rewardingly Complex.&34; Maida, Viewing The Traits Of Openness, Exploration, Extemporization, And Audacity As Queerness Itself, Reimagined Friedlander&8217;s Nudes By Picturing Different Bodies In A Third Look To Converse With Friedlander&8217;s. &160;maida Calls Their Feminist Reclamation Of History &34;a Visual Queering Of Modernist Photography, Providing A Visible Reconciliation Of Where The Canon Of Art Photography Has Historically Allowed Us To See&34; With The Broader Spectrum Of The Human Nude.