An accessible lively and timely history of the collection and presentation of visual art by the British Council one of the most influential international cultural bodies in the world. Does the meaning of a work of art change as it crosses a border from one place to another Can art exhibitions play a role in the relations between different nations How does a national collection of art reflect a countrys sense of itself and even shape its standing in the world Over nine decades the British Council has sent British art abroad in ambitious acts of cultural dialogue with more than one hundred countries from Afghanistan to Zimbabwe. Its acclaimed exhibitions are seen by millions of people worldwide. These touring shows not only bring the work of leading artists to audiences in every continent they also demonstrate arts variety and endless capacity for reinterpretation and the myriad ways that art exhibitions can serve international relations as forms of promotion and partnership and as sites of debate and dissent. Along the way the British Council has amassed a unique and distinctive national collection of art comprising almost nine thousand pieces by the most significant artistic talents of the day. These works rarely rest often going out on the road as soon as they enter the collection sometimes travelling for years on end. As they move around the globe they witness the changing circumstances of world history and in their own way leave a mark upon them. There are many tales to be told during this long and rich period with extraordinary art fascinating personalities and complex geopolitics. Through accounts of landmark exhibitions this book explores intersections of art and national identity issues of autonomy and authority persuasion and protest and shifting trends in art and curatorial practice across the twentieth and twentyfirst centuries. It tells the ongoing story of the British Councils visual arts programme and the British Council Collection to examine what