The paradoxical relationship between Chinese creative workers and the stateChinese Creator Economies dives into the paradoxical lives lived by creative professionals in emerging economies across China. Jian Lin contextualizes the socioeconomic conditions in which cultural production takes place and pushes back against the dominant understanding of Chinese media as a centralized statecontrolled apparatus by looking at how individual creative workers grapple with governance and precarity in the Chinese cultural industries and develop their bilateral subjectivities within the politicoeconomic system of Chinese media. Drawing on intensive empirical research conducted on creative labor practices across television journalism design and social media Chinese Creative Economies looks at both Chinese and foreignborn content creators exploring the tensions between Beijings limits on individual creativity and its aspirations to become a global hub for cultural production. Lin maintains that it is the production of bilateral creatives that generates and maintains hope for the future of those who live and work within the cultural economies of China.