Software has often been marginalized in accounts of digital cultures and network societies. Although software is everywhere it is hard to say what it actually is. Cutting Code Software and Sociality is one of the first books to treat software seriously as a fullblown cultural process and as a subtly powerful material in contemporary communication. From deCSS to Java from Linux to Extreme Programming this book analyses software artworks operating systems commercial products infrastructures and programming practices. It explores social forms identities materialities and power relations associated with software and it asks how software provokes the rethinking of production consumption and distribution as entwined cultural processes. Cutting Code argues that analysis of code as a mosaic of algorithms protocols infrastructures and programming conventions offers valuable insights into how contemporary social formations invent new kinds of personhood and new ways of acting.