Glorious catastrophe presents a detailed critical analysis of the work of Jack Smith from the early 1960s until his AIDSrelated death in 1989. Dominic Johnson argues that Smiths work offers critical strategies for rethinking arts histories after 1960. Heralded by peers as well as later generations of artists Smith is an icon of the New York avantgarde. Nevertheless he is conspicuously absent from dominant histories of American culture in the 1960s as well as from narratives of the impact that decade would have on coming years. Smith poses uncomfortable challenges to cultural criticism and historical analysis which Glorious catastrophe seeks to uncover. The first critical analysis of Smiths practices across visual art film performance and writing the study employs extensive original archival research carried out in Smiths personal papers and unpublished interviews with friends and collaborators. It will be essential reading for students and scholars interested in the life and art of Jack Smith and the greater histories that he interrupts including those of experimental arts practices and the development of sexual cultures. . show more