The remarkable group of Japanese Buddhists who traveled to Chicago's Columbian Exposition to participate in the 1893 World's Parliament of Religions combined religious aspirations with nationalist ambitions. Their portrayal of Buddhism mirrored modern reforms in Meiji, Japan, and the historical context of cultural competition on display at the 1893 World's Fair. Japan's primary exhibit, the Ho-o, or phoenix, Pavilion, provided an impressive display of traditional culture as well as apt symbolism: for Japan's modern rise to prominence, for Buddhist renewal succeeding devastating Meiji persecution, for Mahayana revitalization following withering attacks of Western critics, and for Chicago's own resurrection from the ashes of the Great Fire.