Montezuma Fontana Mirko

This Book Explores The Different Application Of The Concept Of 'tesserae' By Sculptors Beginning In The 1930s, When Lucio Fontana And Mirko Basaldella First Embarked Upon Their Research On Mosaic And The Plastic Arts. The Peculiar Creative Process Behind Their Creations Was Inspired By Primitive Mesoamerican Sculptures Decorated With Mosaics, Viewed By The Two Artists In Different Times And Places, And Also By The Growing Interest In Ancient Latin American Art That Was Felt In Italy From The 1920s Onwards. While Fontana And Mirko May Be Defined As The 'forerunners' Of The Happy Union Between Sculpture And Mosaic In The 1960s And 1970s, In The Following Decades It Is Nane Zavagno And Riccardo Licata Who Set The Main Research Trends - The Former, Especially For That Which Regards The Use Of 'untraditional' Materials, And The Latter For The Use Of Mosaic Tesserae In Contemporary Art.