This book is a pioneering attempt to explore the fascinating and hardly known realm of reciting poetry in medieval and Renaissance Italy. The study of more than 50 treatises on both music and poetry as well as other literary sources and documents from the period between 1300 and 1600 highlights above all the practice of parlar cantando speaking through singing the term found in De li contrasti a fourteenthcentury treatise on poetry as rooted in the art of reciting verses. Situating the practice of parlar cantando in the context of late medieval poetic delivery the author sheds new light on the origin and history of late Renaissance opera style which their inventors called stile recitativo rappresentativo or exactly parlar cantando.