The documents emerging from the secret police archives of the former Soviet bloc have caused scandal after scandal compromising revered cultural figures and abruptly ending political careers. Police Aesthetics offers a revealing and responsible approach to such materials. Taking advantage of the partial opening of the secret police archives in Russia and Romania Vatulescu focuses on their most infamous holdingsthe personal filesas well as on movies the police sponsored scripted or authored. Through the archives she gains new insights into the writing of literature and raises new questions about the ethics of reading. She shows how police files and films influenced literature and cinema from autobiographies to novels from highculture classics to avantgarde experiments and popular blockbusters. In so doing she opens a fresh chapter in the heated debate about the relationship between culture and politics in twentiethcentury police states.