Possessions emerges from the fifth Cambridge French Graduate Conference which took place in 2001. The theme has provoked a broad scope of investigation covering French literature film and theory and ranging from the early medieval period to the present day. Despite the lack of attention which has so far been explicitly devoted to the idea of possession it is shown to be an everpresent concern and this volume seeks to fill this critical blind spot. The essays confront the central notion on several levels tackling issues of authorship and ownership postcolonialism gender and the potential trauma implicated in possession. The juxtaposition of different media periods and critical schools allows common links to emerge demonstrating ways in which possession acts as both problem and enabling notion. As a stimulating and original investigation into an underexplored area of critical thinking the volume offers a critical examination of the possessing power of the text.