The Mummy is one of the most recognizable figures in horror and is as established in the popular imagination as virtually any other monster yet the Mummy on screen has until now remained a largely overlooked figure in critical analysis of the cinema. In this compelling new study Basil Glynn explores the history of the Mummy film uncovering lost and halfforgotten movies along the way revealing the cinematic Mummy to be an astonishingly diverse and protean figure with a myriad of onscreen incarnations. In the course of investigating the enduring appeal of this most Oriental of monsters Glynn traces the Mummys development on screen from its roots in popular culture and silent cinema through Universal Studios Mummy movies of the 1930s and 40s to Hammer Horrors reimagining of the figure in the 1950s and beyond.