A cultural social and economic history of Egyptian cinema of the twentieth century Spanning a century of Egyptian filmmaking this work weaves together culture history politics and economics to form a narrative of how Egyptian national identity came to be constructed and reconstructed over time on film. It goes beyond the films themselves to explore the processes of filmmakingthe artists that made it possible the institutional networks structures and rules that bound them together the changing social and political environment in which the films were produced and the role of the state. In peeling back the curtain to reveal the complexities behind the screen Magdy ElShammaa shows cinema as at once both a reflection and a producer of larger cultural imaginings of the nation.The National Imaginarium provides an indepth description of the films discussed. It explores the construction of a populist consciousness that permeated and transcended class structures at midcentury in Egypt and how this subsequently came undone in the face of the bewildering social economic and political transformations that the country underwent in the decades that followed. More than similar treatments of the topic this book draws on theoretical ideas from outside the immediate discipline of Film Studies including investigations into the materiality and colonial foundations of cosmopolitanism the stakes and aesthetics of realism policy shifts around womens rights transnational economic contexts and the broader history of the country and region including insightful snapshots of everyday life.